Letter To A New Mystic

                                           

You can find comfort and confirmation by reading Ramakrishna, Aldous Huxley, Christopher Isherwood, St Theresa of Avila, St John of the Cross, Arlene Corwin…the list of mystics is virtually endless. All have experienced some or all of your, let us call them, deviations, which are in fact, mystical insights.
They can come and go, as yours have. They can manifest themselves as very, very odd behavior. At least at this point you have found out one essential thing: that you are freer than before.

But just as you can never describe the scent of a rose, or the taste of an onion, but are forced to say “You’ll know it when you smell it or taste it ” you can almost never describe the sequence you’ve gone through to most people and expect them to understand. You know that you yourself have hardly understood. It’s sometimes been called ‘divine madness’. You can’t give away truths. They must be experienced personally.

So don’t concern yourself with being understood. Just continue to grow into this new life and little by little you’ll sense what kind of language to use and to whom. (There’s no sense of throwing pearls to pigs). You’re young. Your insights are going to broaden and deepen. And although they may feel complete now, they’ll become more refined. Then you’ll be a real power in this world.

In the meantime, let those who are attracted to you come and let who are not, wander away.
There’s no such thing as ‘accident’, so let what happens happen and see connections. Seeing connections always gives reassurance that nothing is happening by accident – and it’s all in your favor.

March 18, 2016

 

In Life As Well As The Gym, Do It Badly

                                 In Life As Well As The Gym, Do It Badly                                        

You don’t need to train and strain to make your muscles grow. You need to repeat. That’s all. If you do a thing long enough benefit comes of it.

There is no single ‘must do’ exercise that can’t be replaced with something else.   Be clever, be creative, use your noodle. You can find substitute practices that achieve the same result.

You have a bone structure that makes you better at some exercises than others: long arms, short arms, long legs, short legs: Find out who you are and don’t kill yourself trying to put toe up your nose. Look at others, learn from them, be inspired, then do it your way. Take flexibility: there will be borders you’ll never cross.   Learn about them. Accept them. Focus on your own body and its limitations.

Take your time. Don’t rush. Slow is good. Fast makes it more difficult to focus mentally take apart what is happening in your body.

Interestingly enough, there is a gene called COL5A1 which is linked to a hereditary level of flexibility. One version of the gene means you’re quite flexible, the other means you’re not. Don’t be embarrassed or disappointed because you aren’t a spaghetti or, as an older person with less active growth hormone your muscles don’t bulk up as quickly as they did when you were young – or at all.

There is a point at which you’ll stop making obvious improvements; but don’t stop practicing whatever it is you practice. The benefits become more subtle, more refined.  More energy, stability, self-knowledge. It’s quite enough to stretch what’s tight and strengthen what’s weak and notice that your powers of observation are greater than they were. Nothing stays the same. You’re either going up or you’re going down. Even when you don’t notice either.

Resistance is a good training. Good to observe, good to exploit. For example, when doing yoga poses, reach the point of resistance and wait it out, staying as long as you can. Use resistance in your daily life too. Push against tables, your knees, the door frame. There are dozens of ways to be creative using the principle of resistance.

One more thing: if you work hard all of the time, you’ll start to notice little aches, pains and tears everywhere. Be sensitive. Pace yourself. Learn when to push and when to let go – in life as well as in the gym.

Your body isn’t a machine. Rest it. Work hard but don’t kill yourself.

 

People Ask: How I Accomplish What I Accomplish

People Ask: How Do I Accomplish What I Accomplish

I can only accomplish what I do because I have time. Time is the key. I can play with it, use it as I will: sit in the bath for an hour with a paper scrap and write, dry my hair or dishes and think about an idea, follow it up.

I can make no appointments, zero obligations to the outside world — unless I want them. My selections dance around in atoms. Life is my GPS.

Going nowhere, with no pointer, still I seem to accomplish.

June 17,2015

 

Open-Ended Autobiography

 

Arlene Corwin’s Poetry

Just another WordPress.com weblog

——————————————————————————–

Arlene Corwin’s Open-Ended Biography

(10.3.2007 updated 10.24.2007 updated 1.3.2008; updated December 15, 2009, October 2010 )

Arlene Corwin (born Arlene Faith Nover) is an American jazz singer and pianist, poet, teacher and practitioner of Yoga. Born November 8, 1934 in the Williamsburg Maternity Hospital, Brooklyn, New York. She has two children. Jonathan Eric Corwin (born July 24. 1956 and) Jennifer Nover Council (born February 2, 1964). Mother Margy Lillian (born Brown). Father Albert S. Nover. Both were hairdressers, owning a beauty salon together. Everyone was musical on both sides of the family.Mother sang, could play some piano. Father was a gifted sculptor and wood carver, played a little harmonica and mandolin. The family is Jewish.

Early Life
Started studying piano age 8. Studied voice at the famous 1650 Broadway with ‘coach’ Matty Levine. Did a little recording at aged 10 in Nola Studios. (The record has since disappeared) At 12 she started studying harp with Meyer Rosen (Julliard and NBC Orchestra) and the occasional piano lesson with an NBC pianist who taught her how to read chord changes, seeing at once that she was not interested in learning classical piano.

As a child she had already sung at weddings, bar mitzvahs and for the USO, raising bonds for the war effort. At 13, having a boyfriend who played the saxophone and who listened to Symphony Sid, jazz disc jockey whose late night show originated from Birdland, she awakened to jazz, listening to the late night show “under my blanket”. “A turning point”, she says. (Well before “Lullaby of Birdland” was put to words Arlene had written a lyric of her own – a lyric she still sings today) At 14,she was playing for a dancing school once a week. Then she got an accidental job (“slipping in on a banana peel when the singer got sick”) in a Brooklyn nightclub singing with a group. “Mom and dad chaperoned, of course”.1950s 

She began to sing regularly when again, out of the blue, an agent rang offering a job for a hundred dollars a week to play at the Mayflower Hotel in Manhattan. It was a restaurant owned by Bob Olin, a former light heavyweight world champion. “I was so naïve I played the whole evening without ever taking a break. Who knew about breaks? Why they kept me I’ve no idea.” But they did and the steady salary of $100.00 a week (which she gave directly to her mother, any other choice never occurring to her) and the experience of having to make a varied program led to her singing to the piano, and eventually to playing to the singing. At this time she was still in high school as attending the prestigious High School of Music & Art as a harpist.She graduated from Music & Art getting a scholarship to Hofstra College as a music major.

Then in 1952, while still at Hofstra College (now university), she was playing on the weekends in a Hempstead, Long Island nightclub-restaurant when Slim Gaillard, who’d come to see Jack Teagarden (also working there) began to take notice of her. He started showing up regularly. There he met Arlene’s mother Margy, and the two eventually opened a jazz nightclub, the first to cater to blacks and whites. It was called The Turf and it, like Birdland had its own radio show, for which Arlene wrote the theme song “The Slim Gaillard Show”. Now she was standing as well as sitting, getting a chance to sit in and sing as often as she chose. The die was cast. It was jazz, cool jazz.

Early Influences
In 1954, on the day she ought to have been attending her college graduation, she married Bob Corwin, a 21-year-old jazz pianist with the Don Elliot Quartet. Because Bob toured, Arlene began her new stage of education: listening to Don’s group while they played on the same bill as the jazz greats of the 50’s. There was Helen Merrill at George Wein’s Storyville in Boston, Terry Gibbs and Illinois Jacquet in Detroit, Bill Evans, Cy Coleman, Bernard Peiffer, Tal Farlowe,Johnny Smith John Mehagan and Billy Taylor (who had also performed at the Turf) at the sophisticated Composer owned by jazz lover and connoiseur Willie Short in Manhattan. ” It was also a chance to see and listen to other singers of the day. New York was marvelous in those days. I saw Peggy Lee at Basin Street, became friends with Blossom Dearie at Trudy’s in the village, Oscar Peterson, Marian McPartland at the Hickory House, Sheila Jordan, Morgana King. It was THE university for me. I was introduced to and mentored by Tony Fruscella, the tragic, unsung genius of the trumpet, ‘who I took on my gigs, but to whom I was actually the apprentice’ – and through Tony to Morgana King and Beverly Getz, the talented [and equally tragic] wife of Stan Getz. I feel blessed to have experienced jazz at that time. The guys would gossip about who played ‘behind’ or ‘ahead’ of the beat, bass lines, good changes, bad changes. No Music & Art or Hofstra did that. I learned almost the whole of what is now called The American Songbook. And I, I was sounding like Sarah Vaughn with a little voice.”

 

Hanging Around Manhattan; Not This, Not That…
Living in New York, and looking for a niche she spent time, as other musicians did, at the Musicians Union Local 802 or Charlie’s Tavern where jobs could show up. In this way, there were weeks and weekends away with big bands: Tommy Dorsey’s Orchestra under the leadership of Warren Covington, Claude Thornhill and Larry Sonn.

“When you hang around New York all kinds of opportunities show up”. And so, she got a leading role in a B film called “Jukebox Racket’, wrote the score for another B film called, at the time “She Should Have Stayed In Bed”, later to be called ‘1,000 Shapes Of A Female: see IDMB (the company, called Exploit Films was owned by Errol Flynn “tall, big in every way, veins on his face, but exuding old world charm” He was quite, quite overwhelming.”

Then there was a bit part in John Cassavetes “Shadows”, followed by the lead in what has become a cult ‘beat’ musical called “The Nervous Set” by Fran and Jay Landesman where she introduced the now-standards “Spring Can Really Hang You Up The Most and “Ballad Of The Sad Young Men”, both subsequently recorded by Ella Fitzgerald, Shirley Bassey and numberless major artists. She studied acting with Joshua Shelley. “It was a time to find out who and what I was. “I was definitely not an actress. I was too introverted and none of those clothes fit” she says.

More Influences and more Not This, Not That…
In 1959 she met Johnny Burke (Burke & Van Heusen) who took her under his wing, taking her to Hollywood to demonstrate his show “Donnybrook” for Rosalind Russell and husband, producer Frederick Brisson “It was a glitzy time. I stayed at Bob Hope’s house in Palm Springs, met Frank Sinatra and his then fiancee Juliet Prowse, Jerry Lewis, Marlene Deitrich, had my own suite in Las Vegas , traveled first class, but was so introverted I always kept to myself, never saying much, definitely not participating in any of these scenes. Those clothes didn’t fit either.”

All the while she returned to the intimacy of New York supper clubs. They were the bottom line, singing and playing.

It was during the supper club period, she met Al Weissman who became her manager. She was signed to the Joe Glazer Agency and began to tour with her own trio. “Wherever I went they’d say, “You know, there’s just been a girl here who sounds like you. Her name was Barbra something. I suppose we had Brooklyn Jewishness in common. ” (She too was signed with Glazer.)

Although published by Frank Publishing (owned by composer Frank Loesser) years later she asked for the songs back because “nothing happened.” “It was a period of promise, a period I was not equipped to fulfill”.

1960s-1970s
In 1962 it was back to Hollywood with Al Weissman and high hopes. “I had some jobs, but never in my genre.” Back to New York. A little jaunt of songwriting with singer Dick Haymes. A short marriage of four months to Richard Robin Palmer.

Greece, Lebanon, Greece, Oxford – Yoga & Jazz

In 1966, by way of Paris, Greece (where she and husband Jim Council were neighbors with Leonard Cohen and Marianne) and Lebanon, “where I actually managed to do some television, singing jazz”, she settled in Oxford, England for the next 18 years, teaching yoga,(“lectured and demonstrated in what must have been a hundred Women’s Insitutes, posed for one of the very first health magazines called Health & Fitness, wrote articles on nutrition, had a weekly radio spot on a little radio show for BBB Oxford actually doing Yoga on radio while describing each pose with a microphone up my nose, did a tape on meditation – it was a lot of Yoga”) and singing and playing, being voted Best Jazz Singer in the Midlands 1972, appearing at Ronnie Scott’s three times. She did 3 television shows; a late night BBC jazz show called “In The Cool Of The Evening”, radio for BBC overseas, was invited over to Amsterdam to do Dutch radio, sang at universities around England, (“one night opposite Pink Floyd, “who were just starting out, I suppose”), the American air bases.

She appeared several times at The Stables in Wavendon (run by John Dankworth – now Sir John Dankworth – and Cleo Laine -now Dame Cleo Laine – while at the same time giving weekly yoga lessons to a group there, (which included Dame Cleo – “a wonderful yogin”). The Wavendon All-Music Plan, later known simply as WAP “was the most stimulating and original enterprise I’ve ever encountered, pairing all kinds of musical genre. I even played on the same bill as Vladimir Ashkenazy.”

Starting in 1969 and all during the 70’s fate gave a push to the yoga side of things and Arlene was teaching yoga classes in doctor’s offices for hyper-tense, cardiac and overweight men. teaching regularly at conferences for IBM. She gave demonstrations, lectured all over for the Women’s Institute, posed and wrote for Health and Fitness Magazine (summer issue 1982) a book called The New Manual Of Yoga by Karen Ross (1973) wrote articles on nutrition, made a cassette called This Is Meditation. It was a full double life with Yoga taking half the time and singing the other half.

1980s to now.
In 1983 she once again ran into Slim Gaillard – this time in London. He asked her to appear on a television show he was producing that was to star himself, Kai Winding and Wayne Shorter. It was the last appearance she ever made in England.In 1984, finding Sweden fertile ground for singer/pianists, and meeting and falling in love with Kent Anderson, she moved to Sweden where she lives until today, performing, and writing regularly for “Live With Good Intentions” an online magazine.
Still growing, still changing
The latest news – 2009 and 25 years later, aged 75: a cd of her own songs for Imogen Records produced by George Reece, a concert of Johnny Mercer to commemorate his 100th birthday, poetry grown to 2000 poems (see Arlene Corwin Poetry).

2009 finds her favorite project on Google called Arlene Corwin’s Poetry, a project that started in 1949 or about 2,000 poems ago.

2010 landmark:  First published book of poetry, “Circling Round Time” comes out in September “To The Child Mystic” the second due to come out in December.

2010-11  Circling Round Time and To The Child Mystic.  The Processes: Creative, Thinking, Meditative . Regular contributor  to online magazines ElderwomanSpace; Jerry Jazz Musician; Elderwomanstorytellingplace; 

2012 More books!  Circling Round Woman; Circling Round Our Times, Our Culture; Circling Round Vanity: Vaguely About Music and Circling Round Eros + 2.  Publised by Xlibris.

2013-2014 More & more! Circling Round Yoga, Science, War & Cats; Circling Round Nature; God Book; in the works A Sense Of The Ridiculous.

Music career took an upswing with performances and concerts – an intimate series of composer-of-the-month programs based on the best of American popular composers.

And, of all things, at age 77, the start of yoga teaching in Härryda, Sweden.  

Arlene Corwin is, as at this writing, 80 years of age. Over 3,000 poems.

Tags:arlene corwin’s background, biography, life

Posted in arlene corwin’s biography, autobiography, biography | 1 Comment »

You are currently browsing the archives for the biography category.

Arlene Corwin’s Open-Ended Biography

Arlene Corwin’s Open-Ended Biography 

(10.3.2007 updated 10.24.2007 updated 1.3.2008 updated April 2012 updated August 2017)

 

Arlene Corwin (born Arlene Faith Nover) is an American jazz singer and pianist, poet, teacher and practitioner of Yoga. Born November 8, 1934 in the Williamsburg Maternity Hospital, Brooklyn, New York. She has two children. Jonathan Eric Corwin (born July 24. 1956 and) Jennifer Nover Council (born February 2, 1964). Mother Margy Lillian (born Brown). Father Albert S. Nover. Both were hairdressers, owning a beauty salon together. Everyone was musical on both sides of the family. Mother sang, could play some piano. Father was a gifted sculptor and wood carver.
Early Life

Started studying piano age 8. Studied voice at the famous 1650 Broadway with ‘coach’ Matty Levine. Did a little recording at aged 10 in Nola studios. (The record has since disappeared) At 12 she started studying harp with Meyer Rosen (Julliard and NBC Orchestra) and the occasional piano lesson with an NBC pianist who taught her how to read chord changes, seeing at once that she was not interested in learning classical piano.

As a child she had already sung at weddings, bar mitzvahs and for the USO, raising bonds for the wareffort. At 13, having a boyfriend who played the saxophone and who listened to Symphony Sid, jazz disc jockey whose late night show originated from Birdland, she awakened to jazz, listening to the late night show “under my blanket”. “A turning point”, she says. (Well before “Lullaby of Birdland” was put to words Arlene had written a lyric of her own – a lyric she still sings today) At 14,she was playing for a dancing school once a week. Then she got an accidental job (“slipping in on a banana peel when the singer got sick”) in a Brooklyn nightclub singing with a group. “Mom and dad chaperoned, of course”.

 1950s She began to sing regularly when again, out of the blue, an agent rang offering a job for a hundred dollars a week to play at the Mayflower Hotel in Manhattan. It was a restaurant owned by Bob Olin, a former light heavyweight world champion. “I was so naïve I played the whole evening without ever taking a break. Who knew about breaks? Why they kept me I’ve no idea.” But they did and the steady salary of $100.00 a week (which she gave directly to her mother, any other choice never occurring to her) and the experience of having to make a varied program led to her singing to the piano, and eventually to playing to the singing. At this time she was still in high school as attending the prestigious High School of Music & Art as a harpist.She graduated from Music & Art getting a scholarship to Hofstra College as a music major.Then in 1952, while still at Hofstra College (now university), she was playing on the weekends in a Hempstead, Long Island nightclub-restaurant when Slim Gaillard, who’d come to see Jack Teagarden (also working there) began to take notice of her. He started showing up regularly. There he met Arlene’s mother Margy, and the two eventually opened a jazz nightclub, the first to cater to blacks and whites. It was called The Turf and it, like Birdland had its own radio show, for which Arlene wrote the theme song “The Slim Gaillard Show“. Now she was standing as well as sitting, getting a chance to sit in and sing as often as she chose. The die was cast. It was jazz, cool jazz.

Early Influences
In 1954, on the day she ought to have been attending her college graduation, she married Bob Corwin, a 21-year-old jazz pianist with the Don Elliot Quartet. Because Bob toured, Arlene began her new stage of education: listening to Don’s group while they played on the same bill as the jazz greats of the 50’s. There was Helen Merrill at George Wein’s Storyville in Boston, Terry Gibbs and Illinois Jacquet in Detroit, Bill Evans, Cy Coleman, Bernard Peiffer, Tal Farlowe,Johnny Smith John Mehagan and Billy Taylor (who had also performed at the Turf) at the sophisticated Composer in Manhattan. ” It was also a chance to see and listen to other singers of the day. New York was marvelous in those days. I saw Peggy Lee at Basin Street, Blossom Dearie at Trudy’s in the village, Oscar Peterson, Marian McPartland at the Hickory House, Sheila Jordan, Morgana King. It was THE university for me. I was introduced to Tony Fruscella, the tragic, unsung genius of the trumpet, ‘who I took on my gigs, but to whom I was actually the apprentice’ – and through Tony to Morgana King and Beverly Getz, the talented [and equally tragic] wife of Stan Getz. I feel blessed to have experienced jazz at that time. The guys would gossip about who played ‘behind’ or ‘ahead’ of the beat, bass lines, good changes, bad changes. No Music & Art or Hofstra did that. I learned almost the whole of what is now called The American Songbook. And I, I was sounding like Sarah Vaughn with a little voice.”
Hanging Around Manhattan; Not This, Not That…
Living in New York, and looking for a niche she spent time, as other musicians did, at the Musicians Union Local 802 or Charlie’s Tavern where jobs could show up. In this way, there were weeks and weekends away with big bands: Tommy Dorsey’s Orchestra under the leadership of Warren Covington, Claude Thornhill and Larry Sonn.
1959-60 a member of the original John La Salle Quartet/opened the Dick Kollmar/Left Bank New York nightclub. (In and of themselves they were important and those in the know or, who are interested will look them up).

“When you hang around New York all kinds of opportunities show up”. And so, she got a leading role in a B film called “Jukebox Racket’, wrote the score for another B film called, at the time “She Should Have Stayed In Bed”, later to be called ‘1,000 Shapes Of A Female: see IDMB (the company, called Exploit Films was owned by Errol Flynn “tall, big in every way, veins on his face, but exuding old world charm” He was quite, quite overwhelming.”

Then there was a bit part in John Cassavetes “Shadows“, followed by the lead in what has become a cult ‘beat’ musical called “The Nervous Set” by Fran and Jay Landesman where she introduced the now-standards “Spring Can Really Hang You Up The Most and “Ballad Of The Sad Young Men“, both subsequently recorded by Ella Fitzgerald, Shirley Bassey and numberless major artists. She studied acting with Joshua Shelley. “It was a time to find out who and what I was. “I was definitely not an actress. I was too introverted and none of those clothes fit” she says.

More Influences and more Not This, Not That…
In 1959 she met Johnny Burke (Burke & Van Heusen) who took her under his wing, taking her to Hollywood to demonstrate his show “Donnybrook” for Rosalind Russell and husband, producer Frederick Brisson “It was a glitzy time. I stayed at Bob Hope’s house in Palm Springs, met Frank Sinatra and his then fiancee Juliet Prowse, Jerry Lewis, Marlene Deitrich, had my own suite in Las Vegas , traveled first class, but was so introverted I always kept to myself, never saying much, definitely not participating in any of these scenes. Those clothes didn’t fit either.”

All the while she returned to the intimacy of New York supper clubs. They were the bottom line, singing and playing.

It was during the supper club period, she met Al Weissman who became her manager. She was signed to the Joe Glazer Agency and began to tour with her own trio. “Wherever I went they’d say, “You know, there’s just been a girl here who sounds like you. Her name was Barbra something. I suppose we had Brooklyn Jewishness in common. ” (She too was signed with Glazer.)

Although published by Frank Publishing (owned by composer Frank Loesser) years later she asked for the songs back because “nothing happened.” “It was a period of promise, a period I was not equipped to fulfill”.

1960s-1970s
In 1962 it was back to Hollywood with Al Weissman and high hopes. “I had some jobs, but never in my genre.” Back to New York. A little jaunt of songwriting with singer Dick Haymes. A short marriage of four months to Richard Robin Palmer.

Greece, Lebanon, Greece, Oxford – Yoga & Jazz

In 1966, by way of Paris, Greece (where she and husband Jim Council were neighbors with Leonard Cohen and Marianne) and Lebanon, “where I actually managed to do some television, singing jazz”,  she settled in Oxford, England for the next 18 years, teaching yoga,(“lectured and demonstrated in what must have been a hundred Women’s Insitutes, posed for one of the very first health magazines called Health & Fitness, wrote articles on nutrition, had a weekly radio spot on a little radio show for BBB Oxford actually doing Yoga on radio while describing each pose with a microphone up my nose, did a tape on meditation – it was a lot of Yoga”) and  singing and playing, being voted Best Jazz Singer in the Midlands 1972, appearing at Ronnie Scott’s three times. She did 3 television shows; a late night BBC jazz show called “In The Cool Of The Evening“, radio for BBC overseas, was invited over to Amsterdam to do Dutch radio, sang at universities around England, (“one night opposite Pink Floyd, “who were just starting out, I suppose”), the American air bases.

 She appeared several times at The Stables in Wavendon (run by John Dankworth – now Sir John Dankworth – and Cleo Laine –now Dame Cleo Laine – while at the same time giving weekly yoga lessons to a group there, (which included Dame Cleo – “a wonderful yogin”.The Wavendon All-Music Plan,later known simply as WAP “was the most stimulating and original enterprise I’ve ever encountered, pairing all kinds of musical genre. I even played on the same bill as Vladimir Ashkenazy.”  Starting in 1969 and all during the 70’s fate gave a push to the yoga side of things and Arlene was teaching yoga classes in doctor’s offices for hyper-tense, cardiac and overweight men. teaching regularly at conferences for IBM. She gave demonstrations, lectured all over for the Women’s Institute, posed and wrote for Health and Fitness Magazine (summer issue 1982) a book called The New Manual Of Yoga by Karen Ross (1973) wrote articles on nutrition, made a cassette called This Is Meditation. It was a full double life with Yoga taking half the time and singing the other half.

1980s to now
 In 1983 she once again ran into Slim Gaillard – this time in London. He asked her to appear on a television show he was producing that was to star himself, Kai Winding and Wayne Shorter. It was the last appearance she ever made in England.In 1984, finding Sweden fertile ground for singer/pianists, and meeting and falling in love with Kent Anderson, she moved to Sweden where she lives until today, performing, and writing regularly for “Live With Good Intentions” an online magazine.
Still growing, still changing

2009 and 25 years later, aged 75: a cd of her own songs for Imogen Records produced by George Reece, a concert of Johnny Mercer to commemorate his 100th birthday, poetry grown to 2000 poems (see Arlene Corwin Poetry).

August 2017 poetry numbers update: 4400 poems!!! ((t can’t be!)

2009 finds her favorite project on Google called Arlene Corwin’s Poetry, a project that started in 1949 or about 2,000 poems ago.

2010 Published: Circling Round Time (Xlibris) available Amazon.com/Barnes&Noble

2010 Published: To The Child Mystic (Authorhouse) available Amazon/Barnes&Noble

2011 Published: The Processes: Creative, Thinking, Meditative (Xlibris)available Amazon/Barnes&Noble

2011 Published: Circling Round Woman (Xlibris)available Amazon/Barnes&Noble

2011 Published Circling Round Vanities (Xlibris)available Amazon/Barnes&Noble

2012 Published: Circling Round Our Times, Our Culture (Xlibris)available Amazon/Barnes&Noble

2012 Published: Vaguely About Music (Xlibris) available Amazon/Barnes&Noble

2013 Published: Love Relationships (Xlibris) available Amazon/Barnes&Noble

2013 Published Circling Round Eros + 2 (Xlibris) available Amazon/Barnes&Noble

2014 Published Circling Round Yoga, Science, War & Cats (Xlibris) available Amazon/Barnes&Noble

2017 Published Circling Round Everything 2015-2016 (Xlibris) available Amazon/Barnes&Noble

As of 2017: 4400 poems!  (Can it be?)

Two Ways to Counteract The Negative Effects of Aloneness 2007

Two Ways To Counteract The Negative Effects Of Aloneness

  • How can you start out with faith when you don’t have faith to start out with?
  • You feel alone and you don’t like it. You use the phone, go out, visit, shop, invite someone, solve problems in your head, do a crossword puzzle. You worry, for underneath aloneness is unknown-ness.
  • Unidentified and vague, sometimes with an object, sometimes without, you fret and worry, eat, overeat. You feel alone, abandoned perhaps, neglected, without value. What is alone?
  • If you want to break a habit, watch the urge as it happens. Watching is a passive act. Watch it passively. To purge the urge, watch it as it happens. Monitor.
  • But since we need words, thinking in words, you may need to create a presence – to whom to speak/from whom to listen -. Something in and out of our pre-historic memories, our very genes needs a presence. It is the absence of that presence that you are mistaking for the dark side of aloneness, the hole in your soul. That is the time to start playing the game of faith, a game you have to win if you practice long enough.
  • Pretend with all your unhappy heart that there is someone there giving you the comfort you might be getting from a phone call, a visitor, a problem solver, an information provider, a flatterer or attentive lover. In this process you may converse, ask, answer back – but those are not necessary. The main thing is to watch the discomfort and listen – a kind of listen. You will not feel alone anymore. Moreover, you feel, after a time, wiser and smarter, as if your IQ had gone up. You feel that you have better judgment and control. You start out with a mind-set that negates serenity and end up calm and happy.
  • Keep watching, substituting the ‘presence’ for the thoughts and impulses that are bringing you down. They are only thoughts after all, mind created. Surroundings are the occasion only, genes, the hidden enemy or friend and latent pusher. But, these unhappiness providing forces can be conquered, genes and surrounding notwithstanding.
  • You do not have to be born with faith to obtain faith. Faith removes fear. Its obtainment is practical and practicable. It is a sine qua non for development and self-realization.
  • Wherever you place your faith is the place from which you get results. Whatever the quality of your faith will be the quality of result.

 

 

 

 

Integrity: The Doped Olympics 2004 2007

 

07.10.5. I was thinking about integrity and what constitutes it. If a law is responsible, or if the burden of integrity is always on my/our shoulders.

What would I do if a cup of strong coffee helped me perform to my utmost, but was illegal. Would I sneak in that cup? Could I resist the temptation? I really can’t say. And that uncertainty makes me say it must be my weakness, my undeveloped morality and love for my fellow man.

In light of the news that a certain Olympic champion will probably be stripped of five medals, having admitted now to using steroids makes me question my own social responsibilities even more. What to do? What to do?

Perhaps this is an answer:

The Doped OlympicsWhy don’t they simply

Create a new branch

And call it the Doped Olympics?

By the laws of semantics

It soon would come into the language,

Legitimized. Youth forgets past.

Soon the word would lose shame

While the name of the game

Would be guilt-free and blame-free

And those who would qualify

Could have drug freedom,

Build muscle defined and have bodies divine.

If they dropped dead at forty

At least they’d have entertained millions,

Fulfilled their ambitions,

Made lots of folk rich and set records untold.

Let those athletes select spend year-hours in training;

Let chemists develop concoctions so new

That the pole-vaulter flies,

And the sprinter’s a jaguar,

The shot put is sent into orbits of space,

The long jumper jumps twenty meters

While men become fierce

And the women grow beards,

Which gives all of the chemists new projects to work on.

A yes to the dopey Doped Games!

©The Doped Olympics

 

04.12.2

Our Times, Our Culture; A Sense Of The Ridiculous; Defiant Doggerel;

Arlene Corwin

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Previous Older Entries

%d bloggers like this: