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by arlenecorwin in 2014, Youtubes
14 Jan 2009 6 Comments
by arlenecorwin in 1949, 1951, 1952, 1953, 1954, 1955, 1956, 1959, 1960, 1961, 1962, 1963, 1968, 1969, 1984, 1988, 1989, 1990, 1991, 1992, 1993, 1994, 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017, A Mystic Visits Thousand Oaks, a sense of the ridiculous, a sense of the ridiculous II, arlene corwin's biography, autobiography, bath book, biography, birth death & in between, birth death & in between II, birthday book, blogs, cat book, cat book II, circling round aging, circling round baths, circling round baths II, circling round computers, circling round egos, circling round energy, circling round eros, circling round eros II, circling round nature, circling round nature II, circling round reality, circling round science, circling round science II, circling round time, circling round time II, circling round vanities, circling round vanities II, circling round woman, Circling Round Woman II, circling round wrinkles, circling round yoga, circling round yoga II, CirclingRoundTimeII, coffee book, coffee book #2, defiant doggerel, definitely didactic, disappointment, doggerel, everything from A to Z, God book, God Book II, I Is Always You is We, I Was Thinking..., lectures/concerts, lessons to be learned, life, love relationships, love relationships II, love relationships; circling round eros, lyric, meditative II, meditativeII, mother book, nature of & in reality, not a search for the fountain of youth but the quasi-scientific urge within us., numbers, numbers book, on the way to the post, our times our culture, our times our cultureII, Preface Notes, prefaces, pure nakedness, recipes, revelations big & small, small stories book, special people special occasions, swedish book, the processes creative thinking meditative, the processes II, the processes:creative, then..., thinking, to the child mystic, to the child mystic II, Uncategorized, vaguely about music, vaguely about music II, war book, war book II, war starts with sadness, Youtubes Tags: arlene corwin's background, biography, life
(10.3.2007 updated 10.24.2007 updated 1.3.2008 updated April 2012 updated August 2017)
Started studying piano age 8. Studied voice at the famous 1650 Broadway with ‘coach’ Matty Levine. Did a little recording at aged 10 in Nola studios. (The record has since disappeared) At 12 she started studying harp with Meyer Rosen (Julliard and NBC Orchestra) and the occasional piano lesson with an NBC pianist who taught her how to read chord changes, seeing at once that she was not interested in learning classical piano.
As a child she had already sung at weddings, bar mitzvahs and for the USO, raising bonds for the wareffort. At 13, having a boyfriend who played the saxophone and who listened to Symphony Sid, jazz disc jockey whose late night show originated from Birdland, she awakened to jazz, listening to the late night show “under my blanket”. “A turning point”, she says. (Well before “Lullaby of Birdland” was put to words Arlene had written a lyric of her own – a lyric she still sings today) At 14,she was playing for a dancing school once a week. Then she got an accidental job (“slipping in on a banana peel when the singer got sick”) in a Brooklyn nightclub singing with a group. “Mom and dad chaperoned, of course”.
1950s She began to sing regularly when again, out of the blue, an agent rang offering a job for a hundred dollars a week to play at the Mayflower Hotel in Manhattan. It was a restaurant owned by Bob Olin, a former light heavyweight world champion. “I was so naïve I played the whole evening without ever taking a break. Who knew about breaks? Why they kept me I’ve no idea.” But they did and the steady salary of $100.00 a week (which she gave directly to her mother, any other choice never occurring to her) and the experience of having to make a varied program led to her singing to the piano, and eventually to playing to the singing. At this time she was still in high school as attending the prestigious High School of Music & Art as a harpist.She graduated from Music & Art getting a scholarship to Hofstra College as a music major.Then in 1952, while still at Hofstra College (now university), she was playing on the weekends in a Hempstead, Long Island nightclub-restaurant when Slim Gaillard, who’d come to see Jack Teagarden (also working there) began to take notice of her. He started showing up regularly. There he met Arlene’s mother Margy, and the two eventually opened a jazz nightclub, the first to cater to blacks and whites. It was called The Turf and it, like Birdland had its own radio show, for which Arlene wrote the theme song “The Slim Gaillard Show“. Now she was standing as well as sitting, getting a chance to sit in and sing as often as she chose. The die was cast. It was jazz, cool jazz.
“When you hang around New York all kinds of opportunities show up”. And so, she got a leading role in a B film called “Jukebox Racket’, wrote the score for another B film called, at the time “She Should Have Stayed In Bed”, later to be called ‘1,000 Shapes Of A Female: see IDMB (the company, called Exploit Films was owned by Errol Flynn “tall, big in every way, veins on his face, but exuding old world charm” He was quite, quite overwhelming.”
Then there was a bit part in John Cassavetes “Shadows“, followed by the lead in what has become a cult ‘beat’ musical called “The Nervous Set” by Fran and Jay Landesman where she introduced the now-standards “Spring Can Really Hang You Up The Most and “Ballad Of The Sad Young Men“, both subsequently recorded by Ella Fitzgerald, Shirley Bassey and numberless major artists. She studied acting with Joshua Shelley. “It was a time to find out who and what I was. “I was definitely not an actress. I was too introverted and none of those clothes fit” she says.
All the while she returned to the intimacy of New York supper clubs. They were the bottom line, singing and playing.
It was during the supper club period, she met Al Weissman who became her manager. She was signed to the Joe Glazer Agency and began to tour with her own trio. “Wherever I went they’d say, “You know, there’s just been a girl here who sounds like you. Her name was Barbra something. I suppose we had Brooklyn Jewishness in common. ” (She too was signed with Glazer.)
Although published by Frank Publishing (owned by composer Frank Loesser) years later she asked for the songs back because “nothing happened.” “It was a period of promise, a period I was not equipped to fulfill”.
Greece, Lebanon, Greece, Oxford – Yoga & Jazz
In 1966, by way of Paris, Greece (where she and husband Jim Council were neighbors with Leonard Cohen and Marianne) and Lebanon, “where I actually managed to do some television, singing jazz”, she settled in Oxford, England for the next 18 years, teaching yoga,(“lectured and demonstrated in what must have been a hundred Women’s Insitutes, posed for one of the very first health magazines called Health & Fitness, wrote articles on nutrition, had a weekly radio spot on a little radio show for BBB Oxford actually doing Yoga on radio while describing each pose with a microphone up my nose, did a tape on meditation – it was a lot of Yoga”) and singing and playing, being voted Best Jazz Singer in the Midlands 1972, appearing at Ronnie Scott’s three times. She did 3 television shows; a late night BBC jazz show called “In The Cool Of The Evening“, radio for BBC overseas, was invited over to Amsterdam to do Dutch radio, sang at universities around England, (“one night opposite Pink Floyd, “who were just starting out, I suppose”), the American air bases.
She appeared several times at The Stables in Wavendon (run by John Dankworth – now Sir John Dankworth – and Cleo Laine –now Dame Cleo Laine – while at the same time giving weekly yoga lessons to a group there, (which included Dame Cleo – “a wonderful yogin”.The Wavendon All-Music Plan,later known simply as WAP “was the most stimulating and original enterprise I’ve ever encountered, pairing all kinds of musical genre. I even played on the same bill as Vladimir Ashkenazy.” Starting in 1969 and all during the 70’s fate gave a push to the yoga side of things and Arlene was teaching yoga classes in doctor’s offices for hyper-tense, cardiac and overweight men. teaching regularly at conferences for IBM. She gave demonstrations, lectured all over for the Women’s Institute, posed and wrote for Health and Fitness Magazine (summer issue 1982) a book called The New Manual Of Yoga by Karen Ross (1973) wrote articles on nutrition, made a cassette called This Is Meditation. It was a full double life with Yoga taking half the time and singing the other half.
2009 and 25 years later, aged 75: a cd of her own songs for Imogen Records produced by George Reece, a concert of Johnny Mercer to commemorate his 100th birthday, poetry grown to 2000 poems (see Arlene Corwin Poetry).
August 2017 poetry numbers update: 4400 poems!!! ((t can’t be!)
2009 finds her favorite project on Google called Arlene Corwin’s Poetry, a project that started in 1949 or about 2,000 poems ago.
2010 Published: Circling Round Time (Xlibris) available Amazon.com/Barnes&Noble
2010 Published: To The Child Mystic (Authorhouse) available Amazon/Barnes&Noble
2011 Published: The Processes: Creative, Thinking, Meditative (Xlibris)available Amazon/Barnes&Noble
2011 Published: Circling Round Woman (Xlibris)available Amazon/Barnes&Noble
2011 Published Circling Round Vanities (Xlibris)available Amazon/Barnes&Noble
2012 Published: Circling Round Our Times, Our Culture (Xlibris)available Amazon/Barnes&Noble
2012 Published: Vaguely About Music (Xlibris) available Amazon/Barnes&Noble
2013 Published: Love Relationships (Xlibris) available Amazon/Barnes&Noble
2013 Published Circling Round Eros + 2 (Xlibris) available Amazon/Barnes&Noble
2014 Published Circling Round Yoga, Science, War & Cats (Xlibris) available Amazon/Barnes&Noble
2017 Published Circling Round Everything 2015-2016 (Xlibris) available Amazon/Barnes&Noble
As of 2017: 4400 poems! (Can it be?)