No-Sex 2007

           No- Sex

There’s hetero-

And homo-

And bi- and trans-

And no-,

The last

The least demanding,

Most developed, sharing

Caring,

Ego-least

Sex kind.

It takes time to arrive there,

So it’s said, and so I say,

‘Gather ye rosebuds while ye may.’

But live a long, long life.

©No- Sex .07.8.21.

Circling Round Eros; I Is Always You Is We;

Arlene Corwin

Dubious Sexuality 2007

         Dubious Sexuality

She marries, has a child.

Things going wrong – whatever song,

It doesn’t matter,

Falls in love with what? A woman.

Happens everyday – can.

Does.

 

He’s always preferred men.

His partner, on the other hand,

Had wife and child and grandchild,

Then…

He also found that he liked men.

 

It’s dubious, this concept sex,

This concept gender.

Women, men:

Not easy

To identify.

And yet, scarcely complex…

©Dubious Sexuality 07.8.16

Circling Round Eros; Circling Round Woman; I Is Always You Is We;

Arlene Corwin

Hologram 1996

     Hologram

Forms exist ad nauseum;

Programmed flimflam,

Matrix of a hologram;

Illusion super-layered

Drive on drive,

The outer drive erotic,

Inner drive the search for love;

Flamed, abiding:

Love in common.

©

Hologram 96.10.22

Sixty-Two:Observing The Changes 1997

 

     Sixty-Two: Observing The Changes

Orgasm weaker – not a surprise.

Those heat seeking thighs

That once held me captive

Have loosened their hold.

Interest too. Not a surprise.

Those amorous eyes,

Dependent and needy,

Shy, yet so bold –

More neutral and broad –

All-inclusive and cool;

Emotions unsteady

Easy to rule:

Compliant, as if they were some kind of fraud

In the first place, pretending to strengths they don’t have,

Defending a license and place ill-deserved.

Always new wrinkles on cheek, hand and arm,

Weakened growth hormone sounding alarm:

Dehydration,

Desiccation –

Yet life’s better,

Fetter-binding guile cut.

‘Take me as I am’ my style;

Not a Stradivari, but

I curry every gram,

Married to each dram

Of these, the yellowing,

Youth-emptied, yoga-filled mellowing years

Observing the changes with tapering fears.

©

 

Sixty-Two: Observing The Changes 97.6.25Circling Round Woman; Birth, Death & In Between; Time;

Pure Nakedness; Circling Round Wrinkles; Circling Round Vanities;

Arlene Corwin

 

 

 

Dancing In The Bed 1996

Dancing In The BedIt’s 8:15 a.m. I’m still

Asleep when you come in the room.

The radio’s been on since five.

You modestly and unassumingly

Creep in. I slowly come alive.

My neck is slightly sore, the symptom

Of a migraine. You massage it.

Then because the body needs it

And you’re sensitive, your fragrant hand,

Like a corsage, begins to find,

Explore my spine.

There’s music in the background and,

Before we know it, there we are

Moving, dancing in the bed.

Lovely and exciting rhythms

Form our future memoir.

Up and down, the rose bedspread

Awry, we minuet and smile,

Closely dancing all the while.

And, oh, how we enjoy the time

Willingly exploited, using

Hands and even feet to prime

The other’s total health, the boozing,

Bruising done by others non-existent.

How we’ve laughed! Now I’m awake.

I feel like a griddlecake.

Or eggs and steak?

The dance in bed not inconsistent

With the need to eat,

The music’s beat

Now slow, now fast, the background broadcast

Perfect prologue to a breakfast.

©Dancing In The Bed 96.5.5

Love Relationships; Circling round Eros;

Arlene Corwin

 

Sixty-Two: Observing The Changes 1997

 

     Sixty-Two: Observing The Changes

Orgasm weaker – not a surprise.

Those heat seeking thighs

That once held me captive

Have loosened their hold.

Interest too. Not a surprise.

Those amorous eyes,

Dependent and needy,

Shy, yet so bold –

More neutral and broad –

All-inclusive and cool;

Emotions unsteady

Easy to rule:

Compliant, as if they were some kind of fraud

In the first place, pretending to strengths they don’t have,

Defending a license and place ill-deserved.

Always new wrinkles on cheek, hand and arm,

Weakened growth hormone sounding alarm:

Dehydration,

Desiccation –

Yet life’s better,

Fetter-binding guile cut.

‘Take me as I am’ my style;

Not a Stradivari, but

I curry every gram,

Married to each dram

Of these, the yellowing,

Youth-emptied, yoga-filled mellowing years

Observing the changes with tapering fears.

©

Sixty-Two: Observing The Changes 97.6.25Circling Round Woman; Birth, Death & In Between; Time; Pure Nakedness;

Circling Round Eros; Circling Round Wrinkles;

Arlene Corwin

 

 

 

Ballet 2008

       Ballet

It moves so naturally.

First, bodies side by side;

Quiet, tired, newly wakened,

Parallel – a back to front;

A shift, and than a front to back;

A shift, and then two legs

That cross two others –

Shift again, and lying on one’s back once more,

The other on his side.

And so, the shifting carries on:

A slow ballet.

A hand awakes. Massages

Small, attentive, soft. Still,

No one does a thing –

Makes no advances.

Not a kiss – but closeness.

Then, as if a miracle

[But still asleep]

A warm and stiffened

Natural extension slips naturally

Into its home; small home,

Warm home – and no one moves;

Not yet a movement.

But sensation, which aroused

From causes multi-

Subtle, partly

From the knowledge that there’s time,

And no one need rush up, rush out,

The time and freedom an essential,

Ballet ends.

The audience applauds.

© Ballet 4.18. 2008

Circling Round Eros;

Arlene Corwin

 

 

Husband, Lover, Friend And Mate 1962

Husband, Lover, Friend And Mate

Husband, lover, friend and mate,
All I ask is that you wait –
Ever watchful and involved,
As your problems drop off – solved.

©Husband, Love, Friend And Mate 62.8
Love Relationships;
Arlene Corwin

It’s Good To Remember 2008

It’s Good To Remember

This moment is past.

This

moment, and this, andthis…and this…A documentary that you witness:

Pornography; children,

Two year old – penis

In its mouth.

And you loathe.

Another documentary.

Polar bear afloat in waters

With no land to swim to,

Not a creature to the rescue.

Yet you know,

(And you should think)

While insides sink

And cramp, that

All those moments filmed have passed,

And everything that moment altered.

This

one, this and this and this…There being no last sun, just changes

In the ranges of the moment.

Do not suffer.

© It’s Good To Remember 1.1.2008

Nature Of & In Reality; Our Times, Our Culture;

Arlene Corwin

 

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